Monday, April 28, 2008

Extrication of Cassandra


"Extrication of Cassandra"
11" x 14"
Oil/Encaustic on Canvas

This is the painting that I was having trouble shooting because of the glazing. I finally got a decent photo after consulting with a photographer friend of mine. I actually had to go into my laundry room, open up a cabinet, put th painting inside the cabinet and shoot with minimal light so I wouldn't get reflections. Sounds crazy, but it worked. No tiny reflective dots in my painting.

This painting will be in a group show in Vienna, Austria beginning July 7, 2008. Wish I could be there, but we will just be getting back from Italy in the middle of June and just can't manage to do 2 European trips in one year.

Thursday, April 24, 2008

Waiting for paint to Dry


Spent the morning making some minor adjustments and some final glazing. Waiting for it all to dry, have a fan blowing on it, so I can take some decent photos without light reflections from the wet medium. The rest of the day I spent working on a couple of websites that I needed to get some work done on.
Have a splitting headache today. Woke up with and took some aspirin with only temporary relief. Just had to take a couple more. Eyestrain, from not wearing my over 40 glasses, and from the fumes in the studio. I have really good airflow in here, but I am sure I need to get an exhaust system. I have fans and lots of windows, but it doesn't always do the trick. (Note to self: check on window exhaust system)

Wednesday, April 23, 2008


Tomorrow when things dry a bit, I will take another look and maybe another layer of glaze will go on. I must be blind also because just as I uploaded this image, I realized the dark cloud in the window is right dead in the middle of the opening of the windows. Need to change that. But other than that, I think she is done.

Coming to an End


A few more adjustments and some glazing and a bit of encaustic refinements and she may be finished today. As I was having my coffee this morning, looking out over the calm turquoise ocean, I could hear the doves cooing back and forth to each other. I stopped breathing for a moment so I could concentrate on the sounds and the quietness of the day. What a way to start my morning, listening to nature's music. A deep and sudden realization sank in to remind me that I am such a small part of this world. I then pondered into my studio, looked at my painting and understood how I am so affected by my surroundings.

Tuesday, April 22, 2008

Too much Time on my Hands



OK, way to much time working on these hands. Making some serious corrections and then on to more fun stuff.

Yesterday I got some decent painting in, but had a few things that I had to take care of that prevented me from getting as much done as I wanted. Administrative work for the show in Vienna and then I needed to put together some images and photos for another possible venue that I don't want to jinx yet.

I also have some thoughts that I need to jot down but that will come a bit later as I need to get back to my painting.

Sunday, April 20, 2008

Early Worm



Got up at the crack of dawn, grabbed the coffee, with my hazelnut creamer, and headed straight for the studio. Putting in some really good quality time. Husband is out of town all week, which is great, because I don't have to feel guilty about leaving the household stuff undone.

Saturday, April 19, 2008

Today's progress


Very rough beginning. Underlayer was too wet when I started. But tomorrow will be better after the paint sits overnight.

Monday, April 14, 2008

Article written for Newspaper in Cocoa Beach, Fl

Below is an article which was written by my friend and fellow artist Jaymee Weinreich which will be published next week.

Artist Glenda Santiago
The Emergence of a Butterfly
Written by Jaymee Weinreich


"Paintings featuring women as goddesses, dancers, musicians, shoes, and tropical flowers sprinkled with butterflies, and birds to symbolize the freeing of the soul are found in the paintings of Artist Glenda Santiago.

Glenda is a good friend. On occasion we paint together out in the rain forest and, very often, I might be one of the first to see her newest creations. We’ve coordinated a number of art shows together, the latest a woman’s exhibit called Perception Personified where one of the paintings each artist submitted for the show was a self-portrait. Glenda's self portrait was a 48" x 36" combination oil and encaustic painting featuring herself as a Venus with peacocks on both sides of her. Her expression is serious which several people said isn't her but people who really know her understand that it is.

Glenda is in her element when it comes to art, but it had been a life long journey to get to the point where she is today. When I asked her when did her inclination for art begin she immediately recounted to me the time when she entered one of those comic book contests in order to see if you could be eligible for art school. When the school contacted her mother she informed them that Glenda was only five years old and they couldn't afford to send her to art school. Glenda said that she remembered feeling discouraged at this news. She continued creating art and, along with her artistic endeavors, she was surrounded by musicians. Her father was a popular country western singer and composer in Texas. Her mother often sang in night clubs when they were living in Miami.

But all this ended when her mother died while Glenda was still a young girl. Art was put away and music was no longer a part of her life. After high school she went the practical road, got married, had a son, got a degree in accounting, but eventually Glenda began to change all that. She is a perfect example of that old saying that you cannot deny what you really want to be or what you really are. She told me, "It wasn't until I was thirty that I finally had the courage to follow my life dream”. She started taking classes in art and eventually graduated from Florida International University with a Bachelor in Fine Art and a Minor in Art History.

But due to another unfortunate event, Glenda again put aside her art. "My father died the night I was hanging my show for my graduating thesis BFA. After that I didn't paint again for two years." But eventually Glenda began again to blossom as an artist. Then in 2002, Glenda and her husband, Julio, moved to Puerto Rico. “It wasn't until I moved here that I began to take my art seriously. The reason for that was because I got involved in the East End Art Guild and met people that encouraged me. My husband also encouraged me and now I can't imagine doing anything else!".

Glenda admits that being in Puerto Rico changed the palette of her color choices tremendously. "I used to use lots of neutrals, like browns, beiges, and black but here everything is bright, lush, and lots of green so in order to capture the richness of the environment I changed my color palette." Mainly working in oil and pastels, Glenda has recently started to experiment with encaustics, a medium that comes down to us from ancient Greece and is the process where color is added to bees wax and then fixed with heat. "I love the texture that it allows me to create and even more the spontaneity of the stroke. It stays exactly as I laid it because it dries immediately. It also allows me the freedom to add mixed media like my writings, collage, leaves, beads and other things."

Yes, the encaustics are interesting but what is most interesting is what Glenda likes to portray in her paintings. A very important subject for her is the women that she features and most interesting is why she paints them. "My paintings of women help me define myself as a woman. With them, I search for who I am, but also I explore the roles of women throughout history". Shoes are another subject explored in her work. "To me it is a symbol of a person's identity." This is evident in a painting she calls "If you Could Walk in Mine" where she features a pair of brown shoes in a rustic room. You can't help but form a picture in your mind of who that person is.

Sprinkled through many of Glenda's paintings are butterflies and birds. "The whole thing about the cocoon and how the butterfly emerges. This to me signifies the attainment of freedom of the soul," she tells me. So in a sense Glenda paints self portraits and like the butterfly Glenda has emerged from her cocoon doing what she really wants to do. How more beautiful could a butterfly be?

Glenda is now President of the East End Art Guild of Puerto Rico, www.eeag.org, will soon be in a group show in Vienna, Austria, and in a book featuring 100 outstanding artists. See her web site at www.glendasantiago.com and read about her progress at www.glendasantiago.blogspot.com "

Jaymee's website and artwork can be seen at www.weinreichstudio.com

Sunday, April 13, 2008

New work begins Tomorrow

I have been invited to participate in a group show in Vienna, Austria beginning in July. It is a small format show, 11" x 14" is the largest size. I really don't like working so small, but to have a chance to exhibit internationally, I will bit the bullet and get it done. I have been preparing studies for my painting and can't wait to begin tomorrow.

Monday, April 7, 2008

Research for next Painting

"The story of the heroine Cassandra is a favorite in Greek mythology. Cassandra makes an appearance in many plays and poems, where often she is depicted in her most memorable role - that of prophetess. So let us explore this compelling Greek heroine, and learn about Cassandra in myth and legend.
Cassandra is mentioned briefly in the Iliad of Homer (which, incidentally, is one of our oldest and most respected sources for information about the characters of Greek myth). Indeed, in the Iliad, we learn that Cassandra was the child of King Priam of Troy, and she was considered to be Priam's most beautiful daughter (Homer, Iliad, Book XIII, 365). However, no mention of Cassandra's notorious prophetic power is made in this Homeric epic.

We first find the tale of Cassandra and her legendary gifts in other works of ancient Greek literature. According to one version of the story, Cassandra received the power to foretell the future from the god Apollo. Apparently, Apollo instructed the mortal woman and taught her about the art of prophecy because he had an ulterior motive - the god wished to win her affections. Cassandra accepted Apollo as a teacher, but not as a lover. Naturally, the god was insulted by this refusal. So he punished Cassandra. Apollo caused the gift that he gave Cassandra to be twisted, making everyone who heard her true and accurate foretellings of future events believe that they were instead hearing lies. In other words, the wondrous blessing bestowed upon a mortal became instead a terrible curse.

And indeed, the burden of Cassandra's "gift" is evident in mythology. She predicted the outcome of many disastrous events. In one memorable example, Cassandra announced the dire consequences of the Trojans accepting the infamous Wooden Horse from their Greek opponents. But as Apollo made certain, no one believed Cassandra when she warned her companions about the future. And this, in the end, was to be Cassandra's tragic fate."